Frances Luke Accord & The Honey Dewdrops

August 06, 2017 8PM
View all shows
$15 / 0

Frances Luke Accord are an independent Chicago-based duo hailing originally from South Bend, Indiana. Both dedicated multi-instrumentalists and meticulous songwriters, Nicholas Gunty and Brian Powers distinguish their music with genre fluidity, buttery harmonies and acoustic ensembles. Although prevailingly a modern folk band, FLA sip copious inspiration from Americana, jazz, soul, and rock.

Since forming during their senior year at the University of Notre Dame, Frances Luke Accord's approach to music has marked a boundless evolution. In December of 2012 the duo released their first record, Kandote, a not-for-profit, intercultural collaboration with the Barefoot Truth Children’s Choir of Kkindu, Uganda — an endeavor that continues to support the primary education and musical aspirations of the choir. Bringing their world/folk sound to Chicago in the summer of 2013, the duo quickly garnered local and regional attention for their captivating live performances and stunning self-produced releases, including the Queen for Me EP (April 2014), Live @ Strobe (April 2015), and, most notably, their debut full-length album, Fluke (May 2016).

Fluke, FLA's psuedo-self-titled introduction to a national audience, is a self-produced vocal tour-de-force that leaps quickly and definitively into the canopy of contemporary art. It is dreamlike and philosophical, haunting and whimsical. Its melodies evoke a noir film, a Spanish folktale, an enigmatic egoeye. However you pin it, something in the music is turning heads. Whether evidenced by their invitation to perform on NPR's Mountain Stage Radio Show with Larry Groce, national tour with Darlingside, official showcase at Folk Alliance International's 2017 Conference, their upcoming support slot for contemporary folk hero Anaïs Mitchell, or the $16K Kickstarter that funded Fluke, Frances Luke Accord's compositions take the listener by the ear, pull the rug from beneath her feet, and leave her deliciously airborne. Listen.

 

http://www.franceslukeaccord.com/

 

In the summer of 2014, after a long stretch of living on the road, performing and writing across the U.S., Americana songwriters and Virginia natives Laura Wortman and Kagey Parrish, collectively known as THE HONEY DEWDROPS, decided to settle down in Baltimore, MD. "Touring is like collecting images of landscapes, sounds of voices, contents of stories, moods of places and environments," says Wortman. "All of that can be useful. It tells you something about human nature, about how the world works, little by little.” And so the couple took their experiences on the road, and dug in to write and record their fourth album, TANGLED COUNTRY, in their new home. It’s a beautiful and engaging take on modern American roots music and the first album of theirs entirely written, arranged, and recorded in one place; a testament to the power of home.

Excellently produced, engineered, mixed, and mastered by Nicholas Sjostrom, who also joins The Honey Dewdrops on bass, piano, and Wurlitzer, the songs, all original compositions by Wortman & Parrish, tell stories that engage and resonate in a delicately creative way, blurring the line between narrative and prose. Wortman tells a story about a machine shop across the street from their house when they first moved to Baltimore. "Constant noise from power tools and what sounded like metal hammers banging out the shapes of giant steel swords, and with the regular hum of the city and traffic moving up and down the street, this took some getting used to." But then they noticed the times, sometimes lasting only seconds, sometimes hours, "where everything came to a stop, slowed down, quieted, like everything was paused." This became the basis for Tangled Country's closing tune and only instrumental track, "Remington," as they tried to capture the feeling of "playing tunes together on the porch in those hushed moments in between” when the world seemed to have come to rest.

The closeness of sound and the musical compatibility that The Honey Dewdrops possess is unmistakeable. On Tangled Country, each share vocals and guitars, augmented by Parrish’s mandolin and Wortman’s work on banjo and harmonica. "I think it comes from spending a lot of time together and knowing the inner workings of each other creatively," says Wortman. And while comparisons to the music of Gillian Welch & David Rawlings are inevitable here, that’s because there's something to this marriage of matrimony and music. Wortman and Parrish's musical chemistry is so vivid here in recorded form that it's not surprising to learn that their live performances are often described as "mesmerizing," "evocative," and “genuine." The culmination of three years of writing and arranging, Tangled Country captures and communicates this as the duo weave dynamics and harmonies from one track to another, proving that The Honey Dewdrops bear the mark of musical maturity – in performance, arrangement, and songwriting.

Throughout Tangled Country, Wortman and Parrish perform as if the most honorable thing to be is honest in themselves. In the song "Guitars," Wortman's voice considers the long lineage of songwriters and stewards of the American roots tradition: "We are born unto our own, sapling seeds from old growth...many hands and many years gone...everyone with a song to teach, some sing pain, some sing peace." But through this long convergence of tradition and history, the chorus makes clear the binding factor: "Sing we all true songs / We sing them right, we sing them wrong / Tuned up tightly and passed along / Like old guitars, we breathe songs." Tangled Country bears witness to The Honey Dewdrops' simply being themselves, stewards of the Americana tradition, having seen the world and grown a little older and now finally come home.

 

http://www.thehoneydewdrops.com/

 

Please note that the seating chart has recently been updated, so be sure you are purchasing the seats you want.  If you do not purchase all seats at your table, other patrons may be seated with you.  Your ticket reserves you a place at the table you select but not a specific location at that table.  There is no food or beverage minimum.  All tickets are non-refundable.

$15 / 0
Download ical feed