Ryanhood, Leslie Mendelson opens

October 13, 2017 8PM
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$20 / 18

Named "Best Group/Duo" in the 2014 International Acoustic Music Awards (IAMA’s), acoustic-duo Ryanhood got their first break more than a decade ago as street-performers at Boston’s Quincy Market. It was there that Ryan Green and Cameron Hood were spotted by a college booking agent and thrust into the college touring scene, where Campus Activities Magazine would soon name them “one of the most requested acts by college buyers all across the country.”

The two first met in high school, where they were separated not just by a grade (Hood being a year older) but by a respectful rivalry between their two rock bands. Hood and Green would face off annually in the Battle Of The Bands, and although Hood’s band would ultimately win two out of the three competitions, Green managed to impress him and the rest of the school with his abilities on the guitar, which would ultimately earn him a scholarship to Boston’s prestigious Berklee College of Music.

Cameron enrolled as an art student at the University of Arizona, and they started what they would call “a long-distance musical relationship”, mailing each other minidiscs of new song ideas and getting together during academic breaks to rehearse and perform. Within weeks of graduating college, Cameron took a leap of faith and moved to Boston to join Ryan. Determined to make a living as musicians, Ryanhood became full-time street performers at Boston’s historic Quincy Market where they developed a rapport with audiences that has become a hallmark of their shows.

They soon took this high-energy, highly-interactive street-performers approach to the college market, where they quickly became one of the most popular bands on the circuit, playing upwards of 130 college dates a year. Cameron Hood’s rich and folky lead vocals, Ryan Green’s explosive guitar and mandolin riffs, and their airtight vocal harmonies prompted the Arizona Daily Star to call them, “a match made in radio heaven.”

They would go on to tour with Jason Mraz, record an album with grammy-winning producer Ross Hogarth, share stages with Matt Nathanson, Train, American Authors, and Lifehouse, and even get tweeted about by Ellen DeGeneres. Ryanhood has collectively performed more than 800 shows in 45 U.S. states, where their cross-generational sound has been equally at home in colleges, coffee-houses, concert halls, churches, and living rooms.

And now, twelve years after their street start, Ryanhood’s star is still on the rise as they were named “Best Group/Duo” in the 2014 International Acoustic Music Awards (IAMAs). Their sixth and newest album, Yearbook, released on March 3, 2017, and has been described as "“nestled in a great pocket, feeling all at once focused on storytelling and intimacy while not being afraid to wield a big musical stick” by For Folk’s Sake.

They currently reside in their hometown of Tucson, AZ, where they have won more than a dozen Tucson Music Awards including “Best Folk Band” and “Best Rock Band” (you can decide for yourself which is most accurate).

 

https://www.ryanhood.com/

 

Leslie Mendelson returns with ‘Love & Murder’—the singer/songwriter’s first new album in eight years. A stirring work imbued with emotional depth and poise, the effort is the long-awaited follow up to her Grammy Award-nominated debut, ‘Swan Feathers.’ It’s an apropos title, reflecting the dichotomy between the dark and light she encountered in those years between.

Poised for stardom in 2009 with comparisons to Carole King and Rickie Lee Jones on the tip of tastemakers’ lips, fate as it often does, had other plans. Perhaps though to the benefit of her art. After losing a record and management deal and having her friend and producer Joel Dorn unexpectedly pass away, Mendelson recommitted to her work and slowly but surely penned the songs with her longtime co-writer Steve McEwan that would become ‘Love & Murder.’ Produced by Mark Howard (Bob Dylan, Lucinda Williams), it’s a sparse, raw collection of ten folk songs. Opening with “Jericho,” a haunting number that sets the tone for what’s to come, it makes clear that ‘Love & Murder’ lies more within darker spaces that artists like Sharon Van Etten, Lana Del Rey and Dusty Springfield inhabit. Songs like “Murder Me,” “Coney Island,” and “Chasing the Thrill” find Leslie exploring loss in ways that feel personal and metaphorical, where the stories within are multifaceted.

She also recorded three covers for the album: the classic-country infused “Cry, Cry Darlin’,” a take on Bob Dylan’s classic “Just Like a Woman,” played on the ukulele, and a duet with The Grateful Dead’s Bob Weir on Roy Orbison’s “Blue Bayou.” In fact, Mendelson was unwittingly adopted by the West Coast jam scene after Weir heard her take on “Friend of the Devil” and recruited her to perform with him. On ‘Love & Murder,’ however, Leslie offers a different side that isn’t been present in her early work or recent collaborations. “This collection is just about the songs and my voice,” she says. “That's what people can connect with. It shows where I am right now as an artist and where I want to go.”

 

http://www.lesliemendelson.com/

 

Please note that the seating chart has recently been updated, so be sure you are purchasing the seats you want.  If you do not purchase all seats at your table, other patrons may be seated with you.  Your ticket reserves you a place at the table you select but not a specific location at that table.  There is no food or beverage minimum.  All tickets are non-refundable.

$20 / 18
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